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Pond’s “Tasmania”: a Magically Melodic Account Of The End
Abigail P
-
March 16, 2019
Electronic
Sleaford Mods’ “Eton Alive”: Hellishly Moreish and Delightfully Insane
Abigail P
-
March 6, 2019
Alternative
Thom Yorke’s “Suspiria Unreleased Material”: More Jarring Than Atmospheric
Abigail P
-
March 1, 2019
A Blast From the Past
Avril Lavigne “Head Above Water”: A Respectably Average Breakup Album
Amanda C
-
February 24, 2019
Alternative
LCD Soundsystem “Electric Lady Sessions”: Different But Not Overly Exciting
Abigail P
-
February 20, 2019
Review
Steve Mason’s “About The Light”: Bring Back the Trombones
Abigail P
-
January 31, 2019
Alternative
Deerhunter’s New Album: A Depressing Masterpiece
Abigail P
-
January 23, 2019
R&B
Van Morrison’s “A Prophet Speaks”: Soulful, Sultry and Bursting With Life
Kate A
-
January 1, 2019
Alternative
Gig Review: Public Service Broadcasting @ Teatro Parioli, Rome
Lina D
-
November 28, 2018
Featured
MUSE “Simulation Theory”: a Technophobic, Uninspired Shot in the Dark
Mark T
-
November 16, 2018
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